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hi Nathan, may i know the scale played over the first bar of A7#5 at time 0:59? Thx :)

this is great. i like your idea of using these arpeggios for transitions... thanks

I’m not sure, but I believe he was speaking English

Jazz still sucks, no matter how much you explain how to play bad music its still bad music.

Brilliant! Excellent explanation for a blues player dipping his toes into Jazz via Grant Green! Thanks

Thanks!

Brilliant explanation of not so easy material. Pat was quite a genius

Cool Chanel!

This is my favorite video you have ever done. I love Pat and Barry. Trying to understand both of their approaches together is how I spend a great deal of time practicing. Thanks!

Great video! Btw just wanna know your opinion. Would you recommend someone to study Pat Martino straight ahead if they understand music theory and is kinda an advanced player to get into bebop or should he/she study other things first (that you might recommend)? Thanks!

Great stuff. Nailed it! 🎉❤

So for the four dominant chords of the diminished form - (Gb7 C7 A7 Eb7 ) I should be able to play minor ideas?

😂 Lol with other Words...Everybody could I mean could now Train to understand the Jeet Kun Do off Guitars

I've never seen so complexed and so easy to understand instructor video! Pat was a genius, a true brilliand mind! Thx, Nathan!

Another real gem summarising Martino's/ Azzara's unique approach. He used to call this 'minorising' any chord sequence (using minor lines over most types of chord) - a lot to learn from this lesson. Keep 'em coming Nathan!

Mae mae mae

Masterclass lesson Nathan, thanks mate👍

This just opens up the whole neck.

It doesn't matter how much theorie you do. Pat his playing is just simple bebop with his own style. Stop trying to analyze everything a lot is just feeling

Great lesson! Everyone needs to understand Pat’s “symmetrical parental forms”. There are 2 chords that are easy to play on the guitar and that lead to the discovery of other chords: the 3-note augmented triad and the 4-note Diminished 7th chord. 1) Play 554 on the GBE strings for C augmented (1-3-#5). If you lower any one of those 3 notes, you will form: C, G# or E Major triads. 2) If you instead raise any one of those 3 notes, you will form: Am, Fm, or C# minor. - Now if you play 4545 on the DGBE strings, that’s a Diminished 7th chord named for any one of those notes (F#, C, D#, A). If you raise any one of those notes, you will form a Half-Diminished 7th chord (Min7b5). If you lower any one of those notes, you will form a Dominant 7th chord. - So those 2 chords, the Augmented triad and the Diminished 7th chord, are what Pat called “symmetrical parental forms”. They are symmetrical on the guitar and can be used to find other chords. - Pat Martino was a genius! May he rest in peace!

Super interesting concept. I need to explore this in more depth. Thank you!

Thanks a lot Nathan . Very very good instruction ; I love Pat and I 'm happy you make a video with his method ; If you can follow that it's " Christmas"🙏

great job!! this helps crack the code on pat's approach. thanks.

Gracias!

Wonderful video 🎸👍 thanks so much

Could you dive deeper into this? Too packed 😢

This is great stuff, thanks for sharing your deep knowledge of Pat's genius.

amazing info and presentation. thanks a lot... as a future idea: you could create a few follow up videos of just some lines built off the various ideas.

Thanks for watching! If you would like the PDF Outline of Pat's Method, along with the guitar pro, pdf, and music xml files for this lesson click here (Patreon): patreon.com/NathanBortonMusicPatreon?Link&

Although it wasn't expressed in the same way, Pat had a lot of very similar ideas to Barry Harris. Great minds...

thanks for the great work! but I couldn't access the pdf though😢

This is some pretty basic stuff. If you don’t know it, I guess you will benefit from watching this.

This lesson reminded me so much about classic counterpoint! Great video

Oh GOd my friend how did I miss this ! That was so kind of you to do this thank you Im going to learn these licks and yes I would play something bluesy over the Gm its the fast 2-5s and the turnaround that confuse me but I like how you explained it , again thanks so much for this I appreciate it !

Hey Nathan! Do you have any problems with copyright on UA-cam ? I know you don’t use any recorded music so I was wondering if you have any issues. Might start a channel but I’m unsure of how to approach it.

Nathan, more about enclosures use in jazz language. Merci.

Great lesson! Thank you so much!

Great video. I highly recommend the book by Ted gioia "jazz standards" it's a compendium that shares the history couple hundred standards. Fun book to browse and learn some jazz history

outstanding Jazz Language great tools to have in the tool box wow.

Fantastic.Thank you so much.

Very cool!

This is an incredible lesson. Thank you

Excellent video thanks for the technique!

great Jazz lesson super jazz with great use of enclosures and jazz vocab and tools thanks an example is one of the best tools for teaching .